October 28, 2025
PHNOM PENH – An evocative tableau of Phnom Penh’s daily life is captured by artist Im Pesey: a street scene featuring an SUV, Tuk-Tuks, motorbikes and a cyclo, set against the backdrop of the iconic Royal Palace stirs a palpable longing.
Across his canvases, Pesey deftly balances tradition and modernity, employing soft colours and light brushstrokes to conjure the serenity of everyday moments, the subtle passage of time and a poignant nostalgia for cherished memories.
Exhibition Debut at Raffles Le Royal
Fourteen of his paintings are currently being showcased at Raffles Le Royal Phnom Penh as part of the Season of the Arts: A Journey with Im Pesey exhibition, which launched on the evening of Monday, October 20.
Speaking to The Post, Pesey explained the personal connection driving his work. “The title of this exhibition is deeply personal, connecting directly to my childhood origins and the early stories that defined my journey into art, tradition, and culture,” he stated.
From pagoda walls to formal training
Born in Prey Veng province in 1991, Im Pesey’s artistic inclination began in childhood, sparked by the murals on the temple walls near his home — an early inspiration that ignited his lifelong commitment to painting.
He recounted his formative years.
“My initial passion for painting was sparked by the pagoda near my childhood home. I spent countless hours there, observing artists at work and studying the murals and paintings adorning the temple walls. This early, profound connection fuelled a lifelong love for art,” he sais.
His formal training commenced in 2010 when he relocated to Phnom Penh. There, he pursued a Bachelor’s degree in Fine Arts at the Royal University of Fine Arts (RUFA), supplemented by courses at the Yamada School of Art.
He is currently advancing his vision by undertaking a Master’s Degree at the Royal Academy of Cambodia.
“My commitment has been unwavering; I have always dreamed of becoming an artist capable of exhibiting my work both nationally and internationally,” Pesey added.
Several paintings feature Khmer women in traditional dress. PHOTO: SUPPLIED/THE PHNOM PENH POST
The rhythm of life and Khmer identity
Pesey’s practice is a profound exercise in cross-cultural dialogue, passionately spotlighting the rich tapestry of Cambodia’s creative voice.
His pieces transcend linear time, safeguarding historical memory while simultaneously illuminating the vibrant character of modern Cambodian life.
He views art as a deep source of peace and healing, a philosophy woven into his entire body of work.
By blending traditional cultural motifs with modern composition, he creates visual harmony, evoking emotions that range from nostalgia to fulfilment, akin to a timeless piece of music.
“A majority of the pieces in this exhibition draw a parallel between life and music. I see human existence as a song — it has its inherent rhythm, with moments that rise and fall. We experience the full spectrum of emotions: sorrow, joy, and happiness,” he explained.
This metaphor extends to his celebration of traditional Khmer music.
“Several paintings feature Khmer women in ancient traditional dress, depicted as musicians. Music, in the Khmer context, transcends mere entertainment; it is essential to cultural traditions and religious ceremonies, serving as a powerful expression of the Khmer identity and way of life,” he emphasised.
Pesey’s canvases establish a pictorial language that invites viewers into a realm of tranquility and reflection.
His work actively engages with and celebrates Khmer culture, prompting a deeper consideration of collective and personal memory.
Notably, vibrant scenes of Phnom Penh — such as the centrally displayed piece — offer the audience a serene escape from the typical urban clamour.
Looking to the future of Cambodian art
Having worked in the art world for over a decade, Pesey has witnessed a significant shift. He observes that painting is now receiving much greater attention, and the Cambodian public’s attitude is increasingly supportive of the arts.
“Young people, in particular, are demonstrating a growing appreciation and understanding of this discipline,” Pesey noted. “I am optimistic that, in the future, Cambodian art will continue to grow and thrive on par with that of more established art nations.”
The launch at Raffles Le Royal also featured the debut of the hotel’s newly redesigned menu, a culinary vision rooted in the spirit of Khmer modernity.
A Journey with Im Pesey will be open to the public at the hotel’s Le Royal restaurant until January 17, 2026.