December 2, 2025
SEOUL – K-dramas have long perfected the art of suggestion. Explicit sex scenes are rare, almost nonexistent when top stars are involved. Instead of bare skin, the genre bares emotion, relying on metaphor, lingering close-ups and carefully modulated fades. Whereas Western dramas often place sexual encounters plainly onscreen, Korean series tend to frame intimacy as an emotional crescendo rather than a physical act.
Even in the few cases where a spicier scene unfolds, it’s usually distilled into scenes involving the lights fading after a kiss, or a morning-after shot of two characters sharing a blanket with a hint of bare shoulder. In K-dramas, sex isn’t so much shown as it is implied, marking not a physical milestone but a narrative one when the two characters let their emotional walls down.
Over time, this shorthand has become a familiar trope. A vague “About last night …” or jumping into bed together, giggling under a blanket, is enough to telegraph what happened offscreen, inviting viewers to fill in the blanks.
This subtlety has almost become something of a meme for overseas audiences, who often characterize K-dramas as exceptionally “innocent” compared to Western series.
“Eve,” starring Seo Ye-ji. PHOTO: TVN/THE KOREA HERALD
But intimacy in Korean content isn’t monolithic. Terrestrial broadcasters are still the most cautious, cable networks push a little further, and streamers like Netflix, Disney+ and Tving have ventured into bolder portrayals. Yet even a single explicit moment in a Korean streamer original tends to dominate the conversation, sometimes overshadowing the drama’s story or artistic goals.
So why do K-dramas still read as so much more chaste than their Western counterparts?
The answer, experts say, lies in a mix of cultural sensibility, broadcast history and global expectations.
“The first and foremost audience we consider when we make a series is always Korean viewers,” said an official from a major drama production studio on the condition of anonymity.
“Korean culture still leans conservative in many ways, so sex scenes remain restrained. Even now, I don’t think there’s been a case where a Korean-language drama was created with overseas viewers as the primary target,” he said.
The tendency toward conservatism largely reflects lingering Confucian values and norms around modesty in Korean culture, as well as long-standing traits of Korean romance storytelling — from dating protocols to the importance of family approval.
“A Korean Odyssey,” starring Lee Seung-gi (left) and Oh Yeon-seo. PHOTO: TVN/THE KOREA HERALD
Other industry figures point to Korea’s broadcasting history, which established the template for the K-drama form.
“There aren’t many countries in Asia where broadcasters became responsible for producing large volumes of dramas, really just Korea and Japan,” said Kim Yoon-zi, chief researcher at the Export-Import Bank of Korea, who studies K-content exports. “And Korea had traditionally strict broadcast regulations. Those constraints shaped how dramas were made for decades, providing the baseline for K-drama structures.”
That legacy continues to influence global perception. Even as streamers expand what Korean storytelling can look like, the international audience still associates K-dramas with a family-friendly, emotionally driven sensibility, and, according to Kim, that perception remains a powerful advantage.
“One reason K-dramas perform so well overseas is that they’re considered suitable for family viewing,” she said.
“Compared to American or British series, Korean dramas are considered far more restrained in depicting intimacy, making them easier for viewers of all ages to watch together. K-drama specifically caters to the demand and niche in the content market, which asks for content tailored to family viewing and heart-fluttering romance that younger female viewers tend to favor,” said Kim, adding that it is especially true for Asian and Latin American audiences.
Global streamers who produce K-content, however, say they aren’t beholden to that image.
“Rather than focusing on maintaining a specific identity for (K-content), we’re more interested in catering to the individual tastes of Netflix members,” said a Netflix official. “Our aim is to offer a wide range of genres and formats — a diverse slate that meets the preferences of each viewer.”